Spain faces Argentina in the World Cup football final on Sunday. It will be their first meeting in FIFA World Cup since 1966

Rohit Sharma’s 138 and half-centuries from Virat Kohli (74) and Shubman Gill (77) went in vain as England beat India by 27 runs in the third ODI and seal a 2-1 series win here on Sunday.After conceding a mammoth 387 for three, India finished at 360/7.

Rohit Sharma’s international journey could end at the iconic Lord’s Cricket Ground when England host India for the third ODI on July 19, with reports suggesting the BCCI’s senior selection committee has already decided to move forward without him once this series concludes.

The ultimate football fairy tale is set for Sunday. Reigning champions Argentina pulled off a dramatic late comeback against England to book their spot in the 2026 FIFA World Cup final, where they will face a dominant Spain side in New Jersey.

The ultimate battle for football glory has reached its final stage in North America. Following a weekend of intense extra-time drama, defending champions Argentina, alongside powerhouse teams France, Spain, and England, have officially claimed their spots in the final four.

A profound institutional storm regarding state control over digital public spaces has erupted after Satluj (originally titled Ghallughara and later Punjab ’95), a highly anticipated biographical drama starring global icon Diljit Dosanjh, was abruptly scrubbed from streaming catalogues worldwide. Directed by Honey Trehan and backed by veteran producer Ronnie Screwvala, the film depicts the harrowing real-life crusade of celebrated human rights activist Jaswant Singh Khalra, who systematically unmasked thousands of extra-judicial abductions and undocumented mass cremations handled by state forces during the peak of the 1990s Punjab insurgency before mysteriously disappearing himself in 1995. After enduring a bruising four-year legislative deadlock with the Central Board of Film Certification (CBFC)—which aggressively demanded an unprecedented 127 structural cuts for a theatrical release—the filmmakers engineered a high-stakes, entirely classified digital premiere on ZEE5 on Friday, July 3, 2026, utilizing streaming corridors that legally bypass classical film board certificates. However, the victory was short-lived; within 48 hours, the uncut feature vanished completely from the platform’s domestic interface following explicit directives from the Central Government, followed by an immediate blackout across ZEE5’s international networks. The sweeping execution has drawn fierce condemnation from civil liberties networks, who brand the sudden regulatory intervention as a dangerous example of executive overreach that forces streaming conglomerates into invisible self-censorship, echoing historical memories of the 1975 emergency ban on Gulzar’s Aandhi and threatening to permanently narrow the boundary of independent historical discourse in modern India.